Sunday, November 23, 2008

How to Perform Usetsu in Ninjutsu

Hand to hand combat techniques taught in Ninjutsu focus on self defense and harmlessly flooring an opponent to give the ninja time to escape his attacker. A technique from the Kukashinden Ryu Shodan portion of Ninjutsu training called Usetsu is particularly effective at achieving this goal. It directly translates as “right turn”, though the significance of this is unknown. Essentially it is a response to an opponent grabbing you and attempting a punch by immobilizing his wrist and forcing him to the ground.

Performing Usetsu
Step 1: Begin by standing naturally with your hands by your sides. Your opponent will immediately take the offensive by grabbing the front of your shirt with his left hand. This is in preparation for a punch to the face with his right hand.

Step 2: Place your right hand over your opponent’s left hand, holding it against your chest for the time being. Sidestep to your right as your opponent attempts a punch while simultaneously lashing out with your open left hand to catch your opponent’s right arm along the inside of the elbow.

Step 3: Throw the attacker’s right arm out to the side while wrapping the fingers of your right hand around your attacker’s left fist. Turn his left hand outward so the underside of his wrist and forearm is exposed.

Step 4: Turn your body to the right so your left shoulder is closest to your opponent. Grasp the inside of your opponent’s left elbow with your left hand, pushing forward and up so the joint of the elbow is pointing upward and raised above the level of his shoulder. Step 5: Turn 90 degrees to the right while dropping down onto your left knee. Twist with your upper body in the same direction as you do so, guiding your opponent’s elbow down and around. Your opponent will be pulled into a backwards fall as you do this, forcing him to release your shirt in the process, ending the technique.

Thursday, November 20, 2008

How to Perform the Block and Arm Bend Techique in Ninjutsu

Performing the Block and Arm Bend Technique
Step 1:
Begin by facing your opponent, making sure to keep at least three feet between the two of you at all times. Keep your arms up and ready to act and your weight evenly distributed between both legs. Let your attacker lunge with a punch thrown from his/her right arm.

Step 2:
Dodge backward at a diagonal to the right to ensure the punch falls short of its mark. Push the punch aside by sweeping the back of your left hand against your opponent’s extended wrist.

Step 3:
Allow your opponent to follow up with another lunge and punch, this time thrown from the left arm. Again step backward at a diagonal, this time to the left. Sweep the punch out to the right using the back of your right hand in a mirror of the first block. In case you’re wondering why you’re doing this, it has two purposes. The first is to warn the attacker that you are a competent fighter and willing to defend yourself. As you are simply trying to prevent yourself from coming to harm, it never hurts to give your opponent the chance to stop attacking. Secondly, it lulls your opponent into a false sense of security. Should your attacker be intent on harming you, they will not expect your response to their third punch.

Step 4:
Allow your opponent to attack for a third and final time with a repeat punch thrown from the right arm. This time do not step back. Instead talk a half step inward and to your right, inside the attacker’s guard. Block the attack in the same manner as always, sweeping the arm out to the left using the back of your left hand. But this time turn and step inward toward the arm as you sweep it out. Thread your right arm over your attacker’s extended elbow. Lock elbows and then press your fist against your chest to take control of your opponent’s arm.

Step 5:
Use the back of your left hand to push your attacker’s arm back and lean forward at the waist. This will force your opponent’s arm back beyond the level of his/her body, throwing her off balance. Slip your right leg behind your attacker’s right leg and pull it backward toward you while continuing to push your opponent’s arm back to topple him/her and finish the technique.

Tuesday, November 18, 2008

How to Perform Tatsumaki in Ninjutsu


Contrary to popular opinion, the ninja warrior of Japan was not the invincible machine that the media paints him to be. A ninja was primarily an espionist, a spy, and at times an assassin. He was a warrior primarily in the sense that he fought to win political disputes by different means. His place was not on the battlefield, but in the city, observing and reporting back to the masters of his clan. All the necessary skills which were required to make an effective spy are taught under the name Ninjutsu, or Ninpo. They stressed stealth over visibility and brains over brawn. Combat was not focused on as a ninja would only need to fight if his presence had been discovered by those he was spying on, which was ultimately an indication of failure. As a result the Ninjutsu training regimen mostly included defensive techniques in which the combatant reacts to an attack and floors his opponent as quickly, quietly, and safely as possible. This gives the ninja operative time to escape as he would only be fighting if he were discovered. One such technique is known as Tatsumaki. This is an alternative to a failed attempt at a Kata-Ho. The Kata-Ho is a simple arm bend and throw in reaction to a series of straight punches. Should the attacker manage to foil the Kata-Ho, the Tatsumaki is the immediate follow up.


Performing Tatsumaki
Step 1:
Stand naturally at least three feet from your opponent. This is an actual stance known as Kammai. It is used in order to prevent an enemy from knowing you are ready to react to an attack. Only subtle changes in posture are used. Edge your feet apart slowly and put your weight up near your toes so you can push off quickly if you need to. Keep your hands open and by your sides, but be ready to bring them up immediately. Your opponent will adopt an aggressive combat stance known as ichimonji. He will sink low on his knees while keeping his back straight. His left hand will be out in front of him at full extension with the hand forming a vertical blade pointed at you. The right fist will be balled and held horizontally at waist level. Your left hand should be extended in a manner mirroring your opponent, but keep your elbow bent slightly.


Step 2:
Sidestep to the right and back immediately as your attacker lunges with a straight punch from the right fist. Hold the right fist directly against the chest and raise the left fist, forming a bar with the lower forearm held out horizontally with the ground. As the left arm bar rises it will push your opponent’s punch up. Snap the lower arm from horizontal to vertical to shove the opponent’s arm out to the side.


Step 3:
Attempt to go into the beginning of a Kata-Ho by latching onto the wrist of your opponent’s still extended right arm with your left hand. Step in to attempt to wrap your right elbow over the top of your opponent’s elbow. Make sure to keep an eye on your opponent as you do so as this is the point where the Kata-Ho can fail. Your opponent may attempt to strike you in the right side with a punch from his remaining left arm.


Step 4:
Step back to get outside of your opponent’s range while keeping hold of his right hand with your left. Extend your right arm and swing it outward to catch against the elbow of your opponent’s left arm, stopping the punch cold. You will have to hit hard to achieve this effect and may suffer some bruising from it later.


Step 5:
Twist hard counterclockwise at the waist, swinging your right arm. The back of your fist should skim along the top of your opponent’s arm, over the shoulder to let the bottom of the fist slam as hard as you can directly into the side of the neck. This strike is effective at knocking an opponent to the ground as it temporarily pinches the spinal cord in the neck. This momentarily cuts any control your opponent has on his body below the neck, dropping him instantly.

How to Perform Oni Kudaki in Ninjutsu

Oni-Kodaki, the Demon Crush. No it’s not nearly as gruesome or horrific as it sounds. In fact it causes no harm to an attacker whatsoever. In truth it’s a simple Ninjutsu counter-defensive technique utilized when an attacker has grabbed the front of your shirt with the intention to punch or kick you while holding you immobile. Such a move is reliant on the very human tendency to shrink back or pull away when grabbed, effectively leaving you at the perfect distance from your opponent to be beaten silly. To perform the Oni-Kodaki, you meet their expectations, stepping outward, then immediately change direction, moving in toward your opponent, forcing them off balance and driving them safely to the ground. With that done you can either try to talk to your attacker, continue to attack if you see fit, or run like heck.

Performing the Demon Crush
Step 1:
Allow your opponent to advance and grab you by the lapel or front of the shirt with his left hand. You must act quickly to take your attacker off balance and prevent his follow-up attacks. This means you have no time to assume any stance other than your natural one. Immediately step back and to the right, pivoting clockwise at a 45 degree angle to half face your opponent. This will put your opponent forward, off balance, as well as line you up for your countermove.

Step 2:
Slip your arm up underneath your opponent’s arm from the outside while stepping forward with your right foot, bring your right shoulder into contact with your opponent’s left shoulder. Once your entire right arm is slipped up from underneath, turn your palm downward and slip your arm over the top of your opponent’s arm so that they are elbow to elbow. This motion will transfer your opponent’s hold to the outside of your sleeve.

Step 3:
Pivot on your right foot so that your shoulders meet and you are now facing in the same direction. Lock your elbow shut and raise your arm, forcing your opponent’s elbow up and backward, causing him to arch his spine as he his pulled off balance.

Step 4: Step back with your left foot to pull your opponent completely off balance. The only thing holding him up is your elbow locking into his. Drop down to your right knee to pull your opponent safely to the ground to finish the technique.

Thursday, November 13, 2008

Depressive Rant: Killing Time


That’s all any of us are doing, just killing time. I don’t want to come off sounding like some whining Goth writing bad prose. There’s no romanticism or allure of the concept, just a logical inevitability which cannot be denied.

We come into this world and exist in a state of preparation for 18 some odd years or more. During that time our care, environment, and needs are seen to and carefully managed by parents or guardians. Two things can arise during this time as a result of this state of affairs. We can resent being controlled and rebel against this sense of helplessness. This may be demonstrated by petty illegal behavior, breaking rules, acting out in school or at home, underage drug, alcohol, and tobacco use, etc. This is a senseless defiance of those who we see as the controlling powers and very childish. The other thing which can happen is that we accept the situation for what it is and use that inherent support structure to focus on achieving some sort of goal. In a society as money driven as ours, this goal is typically obtaining some high paying vocation.

At the ends of the period of care the young adult is free to set out into the world and do as he wishes. Before I continue let me pose to you a question. Of those two types of individual described, which do you think will have an easier time of things? The prepared and focused goal-seeker, or the rebel?

If you said the goal-seeker, you’d be wrong. It’s all down to a matter of acclimatization. The rebel has not specific goal or intent and is thus able to adapt to his situation as circumstances change. What’s more, his yearnings for freedom as a child are now realized. The goal-seeker on the other hand is unable to change his plans and cope to changing situations, so hung up on his dreams, hopes, wishes, etc. He sees the myriad freedoms, activities, and ways of life open to him as distractions. The oak stands firm against the gale winds of the storm. The supple willow instead bends before the wind. Eventually the oak will shatter before the force of the wind, but the willow will only ever sway.

Let us also look at the futility of goals. Please do not misunderstand me by thinking they are unattainable, that’s not the case. I’m saying that although goals may be achieved, they are ultimately worthless. Take me for example. As a boy I wanted to be a writer. I wanted to pen stories and publish books. I was told that I would make no money doing this, though I was never technically told not to.

Today I am a writer. Though I make a decent, steady income, I’m no happier or fulfilled than I ever was. I’ve been successfully published several times, though have not yet been able to write a full length book. This is principally because I have no understanding of human nature. As a result I am completely unable to write decent dialogue or banter between characters. This has slowed my attempts to flesh out and complete my full length novels considerably, though not deterred me from trying. I suppose I could say that my day to day work leaves me with no time to devote to those long term projects, which is largely true. Though I suspect I would just make up another excuse for myself if I had all the time in the world.

A goal is nothing more than an arbitrary personal milestone. Having achieved it changes nothing save that you get to ask yourself: What now? I became a writer and looked around. I was still me (more’s the pity), the world was still the same. So what was the point in all that hassle then? It’s nothing more than a futile attempt to give our lives meaning. Save yourself the trouble, accept that life has no meaning and don’t bother. After all, it’s just a way to kill time.

Now let us look at the rebel’s way of life, my own brother being a perfect case in point. He lives with his girlfriend in their own apartment. They have lots of friends and, despite the fact they are dirt poor, are fairly happy. If you ever met him, you would wonder if he had the mental capacity to complete a sentence. He’s not dumb per se, just got his head so high in the clouds it’s a wonder his feet touch the ground. He had no plan, no goals, and no aspirations. He burnt through his entire college savings fund in less than a month on parties and friends, who subsequently ditched him when he ran out of money. Somehow he always lands on his feet through and enjoys meandering through life. This is because that without goals, he keeps himself open to any opportunities that come his way, rather than dismissing them as irrelevant. While he enjoys the way that the journey takes him, I look forward to its conclusion with increasing impatience, though both of us are under no illusions to the fact that what we do on this earth is ultimately meaningless and fleeting.

Wednesday, November 12, 2008

How to Perform Musha Dori in Ninjutsu


Many martial arts and self defense courses emphasize hurting or causing pain to an attacker as a deterrent. This does not jibe well with people who consider themselves pacifists or simply don’t want to cause anyone else pain. Unfortunately such pacifists are subject to attack or attempted muggings like the rest of us. Come to think of it, it would probably be easier to steal from a pacifist as he won’t fight back. In any case, there is any answer to this problem. Ninjutsu combat and self defense techniques emphasize temporarily dropping or disabling an opponent without doing any physical harm or inflicting any pain. For example, Musha Dori, meaning the trapped warrior, is a great way to pre-empt further violence once an attacker has grabbed you by the lapel, collar, or front of the shirt with the intention to do you harm.

Performing The Trapped Warrior
Step 1:

Begin standing naturally with your hands down at your sides as your opponent approaches and grabs you by the front of your shirt with his left hand. This is usually a way of keeping you within range for subsequent punches, so it is imperative that you act before you opponent can follow up with an actual attack.

Step 2:

Raise your right arm underneath your opponent’s extended arm. The back of your lower forearm should be pressing firmly against the inside of your opponent’s wrist for later use.

Step 3:

Pivot to face and press up against the length of your opponent’s outstretched arm. As you do so, slip your left arm beneath your opponent’s outstretched arm. At the completion of this step your lower arm should be vertical and your upper arm horizontal. Cradled within the crook of your elbow should be your opponent’s upper forearm a few inches above his elbow.

Step 4:

Pivot to face your opponent, back to your left if you originally turned right in step 3. As you do so, pull your left arm toward your body while pushing away with your right. This will pop your opponent’s hand off of your shirt, forcing the elbow to snap shut. It will also turn in your opponent’s elbow, raising it upward and causing him to pivot away from you and arch his back in an attempt to relieve the pressure on the elbow joint.


Step 5:

Guide your opponent to the ground by dropping to your right knee to finish this technique.

Tuesday, November 11, 2008

Taking The Fight to The Enemy

The following is a list of items that I request be put in my coffin as well as alterations to the state of my body to be completed upon or before that date of my burial (Translation): I want some modifications to be done to my body as well as the clothes I’ll be dressed in when I’m buried as well as having a few items buried with me.

Items
1. One .45 Semi-automatic combat pistol.
2. One shoulder holster rig under jacket containing item 1.
3. Thirty-five .45 acp frangible rounds available at www.extremeshock.com (the sign of the cross inscribed on the slug of each bullet)
4. Thirty-five .45 acp armor piercing rounds available at www.extremeshock.com (the sign of the cross inscribed on the slug of each bullet)
5. Ten .45 acp semi-automatic magazines containing items 3 and 4 to be placed in side pockets of the jacket.
6. One throwing hatchet,(my favorite one) repaired with the blade and axe handle inscribed with the name JEHOVA and the sign of the cross. To be placed through my belt at the right side of my hip.
7. Two military canteens containing holy water taken from the river Lourdes. Strapped on my belt to the rear of my right hip.
8. One rosary tied around each of my wrists.
9. One large crucifix tied around my neck.
10. One airtight pouch containing wafers of the Holy Host. As many as can be carried without the aid of a backpack.
11. One small first aid kit in the inner right breast pocket of jacket
12. Tanto knife sheathed and tied at left hip. Inscribed with crosses along both sides of the blade.
13. Two packs Winchester brand cigarettes, one cotton handkerchief, and one disposable lighter to be placed in breast pocket of shirt.
14. Three pieces of white chalk, and three black Sharpie markers to be placed in let pants pocket.
15. Small bible to be placed in left inner breast jacket pocket.
16. Straight combat blade, inscribed with the cross on both sides of the blade, in sheath at right side of hip, in front of hatchet.
17. Small boot knife in outside of left boot.
18. My double handed broadsword with edges ground sharp, length of the blade inscribed with the name JEHOVA with crosses in between each letter. Held in leather scabbard, strapped over my back, outside the jacket.
19. Flask of Evan Williams Bourbon in back pocket of slacks
20. Three ampoules of holy water blessed in the name of Saint Michael in right pants pocket.

Clothes
1. Standard black trousers. 40X32 Polo brand Chinos for preference. They last longer.
2. Black blazer, size 50 long.
3. White long sleeve dress shirt, unsure of the size.
4. Black leather belt.
5. Necktie featuring Christian theme. With cross tie-pin.
6. Black dress socks
7. Fingerless leather gloves.
8. Glasses
9. Size 11 triple wide black steel toes combat boots, shined to mirror finish.

Body Modifications
1. Large Celtic crosses tattooed on both back and chest.

After reading this list you’re probably wondering “what the hell is wrong with this guy?” I’m inclined to agree, but after studying several religions and their viewpoints of the afterlife, it’s not so inconceivable to think that a person can take things with him and can take the fight to the next world. The Egyptians, Sumerians, Babylonians, Mesopotamians, Etruscans, and Hittites all believed that the afterlife was a real and solid place which one could take physical goods to and from.

In Greek, Roman, and Mesopotamian belief it is thought that once one takes things of the underworld into oneself, only then is a person doomed to remain there. The best example of this would be Persephone when she was pulled into the underworld by Hades. While there she ate 3 pomegranate seeds. After her rescuer arrived, it was found that she could not return to the world of the living because of the underworld food she’d eaten. I intend avoid this fate for as long as possible by taking with me food and drink both rendered holy by the Lord our God. I know some consider this blasphemy on my part as these items are considered sacred. To you I say that the lord wants us to be holy and pure in all things, why shouldn’t our diet be one of them? If this ploy works maybe I’ll have had enough time to make my way to a more hospitable environment. Who knows, maybe I’ll find a way back from the grave. Don’t think so, but I don’t so how that’s not possible.

As for the weapons, their use is evident. I’m not the best of Christians, nor am I particularly strong in faith. But having been brought up Catholic I know that only a handful of the most pure souls that have ever existed upon this earth have been able to avoid hell, or at the very least, purgatory. I know I’m probably destined for one or the other, so I’d like to be able to at least try to defend myself with whatever weapons I can get my hands on. One thing I never saw in any of the frescoes and paintings of hell where the damned are depicted being tortured by demons was the damned fighting back. By now we’ve got to outnumber the demons in hell, and what worse punishment could they bestow upon us if we try to defend ourselves? They’re already in Hell, things can’t get much worse.

I know what is being laid down is blasphemous to some, but if I’m wrong and we can’t really take it with us, then I’ll ultimately have lost nothing. Something to think on.